Dorothy Richardson is one of modernism’s unsung heroes: a pioneer of Stream of Consciousness, her experimental approach to writing was driven by desire to express a specifically female experience. This impressed Virginia Woolf, who, in 1923, wrote that Richardson ‘has invented, or if she has not invented, developed and applied to her own uses, a sentence which we might call the psychological sentence of the feminine gender‘. Her greatest literary achievement is a sequence of thirteen novels, Pilgrimage, of which the first, Pointed Roofs – the first complete stream of consciousness novel in English – was published in 1915.
In 1907 she began a relationship with H.G.Wells, and it’s this period in her life that Louisa Treger chronicles in her novel, The Lodger. Wells was a notorious if rather unlikely philanderer – in addition to Richardson, his literary lovers include Rebecca West, Martha Gellhorn, Violet Hunt (on whom Ford Madox Ford modelled Sylvia Tietjens in Parade’s End), and Elizabeth Von Arnim, and you can hear Louisa and I talk about H.G.Well’s surprising role in their literary lives, and about the strange genius of Dorothy Richardson in this podcast, either here on iTunes, or on soundcloud.